There is a common complaint about fiction that you hear when someone has
decided that a particular story is poorly explained, managed or
otherwise unbelievable.
"It's contrived."
The thing about this statement.
It's true.
When talking about fiction, it is always going to be true.
A
work of fiction is, by definition, contrived. It is a made up story
with made up circumstances and made up people. Everything about any
piece of fiction is contrived to some degree.
So it will
always be contrived. Now, however, you have to figure out what is wrong
with your story that someone would be using that statement.
This
is basically the equivalent of the man in the magician's audience who
points out an explanation of every trick as he watches it and thus
ruining the illusion.
What the problem is, in this case, is
that you have stretched things to a point that the reader is no longer
engaged in a willing suspension of disbelief. There are a lot of ways
that this could happen, some of which aren't under your control.
The
questions and statements that follow "it's contrived" will tell you
more than that particular statement will. Because their follow up
statements and questions will target on the parts of the story that they
are having trouble believing.
In some cases, a particular
scene will quite obviously be directed at answering these
questions. For instance, the Time Travel chapter of Ryoko Saotome was
made to specifically answer questions of "why doesn't Washu send them
back in time and fix things?"
However, it is always best if you never have to deviate from your planned path to answer such questions.
Also,
there will be some people that simply don't enjoy your genre of
story. Someone who does not like or read fantasy will often find any
sort of explanation of magic or supernatural abilities to be contrived,
for example. There isn't much you can do about this situation, you
can't directly change the sort of stories that a person likes.
Minimizing
this situation, however, is the reason that you should have a
pre-reader who is not a part of your target audience. You'll want your
story to be entertaining to the broadest range of people as
possible. As such, when testing it out, you want to be able to test it
with the mainstream population or with other side populations, if the
mainstream is your target.
Just to wrap up: all fiction is a contrivance. The question you want to answer is "why does he notice it's a contrivance?"
A blog by Luke Garrison Green of Thrythlind Books and Games. Here he discusses writing skills, reviews books, discusses roleplaying games and refers to Divine Blood, Bystander and his other books.
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