So, there are a lot of characters out there that are popular and have
been popular for a long time...and have suffered for it. It isn't true
of all popular characters, but it certainly seems to afflict a number of
them. I'm going to talk about some of the signs and symptoms of this.
This
is the root of everything that can be called Popular Character Hell.
What happens is that if things change around in a popular title, then a
vocal portion of the fanbase will up and decry "They changed it, now it sucks" or "It's Ruined Forever"
and decrying that they're never reading the comic again. Some of them
will definitely mean it, others will simple be ranting and would
eventually come to enjoy the change as much as the story before the
change.
At this point, the people in charge of the story have
to come to a decision. They can either trust that the majority of the
readers still enjoy the story and will keep reading to see what happens,
or they can panic and try to "fix" the story in order to save their
readership. The problem is, the answer is not clear cut. Sometimes a
change really is a poor decision, so fixing it is not a bad thing.
However, there is the danger of becoming unwilling to make any changes
for fear of losing readership. At which point you enter this trope and
start seeing the threat of Popular Character Hell.
Now, to be
fair, Status Quo is God is not always a bad thing in and of itself.
Some stories are designed with such a situation in mind. Like Looney
Toons or GI Joe. Stories that are episodic in nature are by their
nature less prone to Popular Character Hell. It is stories that have an
intended storyline that this is a problem for.
The main issue is that the people controlling the story are more afraid of losing money than making a bad story.
This
isn't a hit against corporations or people trying to make money.
Without money, there's no story. To which some people will respond
that the artist could simply write the story they want regardless of
whether they're paid for it or not. However, being paid for writing
means being able to spend more and more of your time on writing rather
than other jobs. Because if you're not writing you have to earn your
living somehow. The more time you can spend writing, the better your
writing gets (for the most part). As such, professional authors are in
general going to be capable of becoming the best writers of all because
they have more time to spend writing. Of course, not all of them will
productively use that time to work on their craft and instead simply
write the stuff they know, but just because they don't make use of the
potential for self-improvement doesn't mean that they don't have access
to it.
(Despite this, I still expect that the most talented and
even most skilled writers and artists are probably people that no one
will ever hear)
So, worried about money is a good thing, however,
there is a balance point at which all the decisions are based on
whether or not something will make money and being unwilling to make any
changes at all means that there is no development to speak of.
The
Popular Character cannot expect a Happy Ending, because the story must
keep going while it is making money. The owners of the story will do
anything they can to avoid a happy ending or even any ending.
Personalities will be frozen or have the most spoken of portions of their character exaggerated.
There will be a tendency to view angst as the true source of drama
while forgetting that angst in general is only interesting if it is
eventually resolved. Either for good or ill, the angst needs to be
resolved in order for there to be drama. Without the chance of angst
being resolved, it becomes a non-issue that nobody really thinks about
anymore. BUT resolving any angst means upsetting the Status Quo and
suddenly you have the vocal part of the fanbase railing "you changed
it!" And thus you can't resolve the angst.
This, of course,
means that instead of a loud, sudden drop in viewership or readership
that you instead have a slow, quiet dwindling of people paying attention
as the fans that are interested in the story fall off as they give in to
disappointment. This dwindling will be hidden because you will have new
readers coming in to see the story on the strength of its reputation,
but more and more these new readers will tend to be more temporary in
nature so eventually a drop in popularity will be noticed. Especially
as new characters come up and people start talking about those new
stories, causing the owners/controllers of the popular character in
question to start looking for ways to revitalize the story.
These
attempts at revitalization may appear to resolve some issues in an
attempt to move on to new ground, and sometimes they successfully do so.
However, it is more likely that this resolution will eventually be
unwritten and reset back to status quo.
A direct consequence of the leaving of the fans who enjoy the story on a greater depth means an increase in the influence of fanon
on the fanbase. Since a lot of the fanbase is younger and newer to the
story, they will often have a less thorough understanding of the story
and thus the discussions of what the story is about will start to drift
further away from what the story really is focused on. In some extreme
instances, the story will start to bend toward this fanon. Fanon can be
more complex than the actual story, but in general, fanon is a
simplified and exaggerated version of the story as a whole. Because the
fans are the most visible part of a franchise and the biggest
advertisement for it, the more and more out of step from the canon that
the fanon becomes, the more people interested in a story with depth
would be turned aside from viewing the story. Eventually the character
and his or her story become a sort of standing joke or unintentional
parody.
The capability of the characters will seem to grow more
and more powerful, but at the same time they will keep adding reasons as
to why a past story-arc's power up is no longer useful thus making the
story fall into the territory of "New Powers As the Plot Demands".
There are some very good examples of Popular Character Hell:
Bleach
- There have been several points where they could have brought the
story to an end satisfactorily but they keep pushing the story on and on.
Spider-man - One More Day is hardly the only time he's
fallen prey to this. Marvel once answered questions of why Peter
doesn't sell his web formula by having some developers show interest and
then decide against it when they learned about the fact the formula
goes away in one hour. Aside from the obvious uses that the webbing
could have in construction, medicine and non-lethal weaponry, there's
the fact that the one hour limit was deliberately engineered by Peter
and thus COULD BE MADE WITHOUT IT.
Drizzt Do'Urden - Started as a
randomly created sidekick for a dwarf and his adopted human kids, but
then he turned out to be a rather more interesting character than the
more characteristic types that the story had. But then he became
popular and kept getting story after story after story. For another
Salvatore example, look to Cadderly from the Cleric Quintet. At the end
of his story he seems to be casting himself to death, but then he
cameos in a Drizzt story later and is hale and healthy. Though his is a
much more minor situation given that he's a less well known character.
Now, some characters that aren't examples of this are rather surprising:
Naruto,
despite having a fanbase that gives the series a rather horrid
reputation, Kishimoto seems to pushing on with whatever the hell he
wants rather than respond to the various gnashing of teeth that arises
anytime he does something.
One Piece was designed pretty much to last forever and thus Status Quo was pretty much always intended to be God.
Aragorn
of Arathorn, Dracula, Frankenstein and other such characters aren't in
this category either for the simple fact that their stories were
finished and the further use of the characters or adaptation of the
characters currently going on is happening in isolation from the base
story and can easily be dismissed.
All that said, I hope someday to have to worry about facing this.
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