One of the problems with the stories that are popular, things are always
going wrong. There's always some amount of unnecessary pain and fear
and trouble in the world. It's stuff that could probably have been
avoided if it weren't for a handful of mistakes that the story makes
painfully obvious.
The crisis can be personal, such as saying
the wrong thing to a girlfriend and trying to spend the rest of the
story apologizing, or it can be local, such as dealing with a bank
robbery. It goes on and on, with the mistakes being more obvious and
seemingly extreme as you go further up the line.
But the matter is the same.
Mistakes were made and they have to be cleaned up.
Or, it could be about a succession of mistakes that were made and what it resulted in.
But it comes down to: mistakes were made.
If
the real world had as much incompetence and malice as you find in
reading fiction, then we would probably be living in a state of anarchic
babarity out of a post-apocalyptic movie. That's because the movies
and films focus only on the exceptional and rare instances where things
do go wrong.
The innocent person is convicted.
The killer goes free.
A judge is bribed.
A cop is brutal and cruel.
Witnesses are killed.
These
two in particular are repeated ad infinitum across a plethora of
crime-centric TV shows and movies. The movies in question don't deal
with the hundreds of thousands of other criminal cases that have to be
taking place in the world of the movie in the background, most of which
are very much open and shut cases.
There is no open and shut in a TV show.
If there is, then a lawyer has to be called in to raise a technical issue.
Or maybe the open and shut case is wrong and the suspect is innocent.
Every
case is a long drawn out affair where the juries, judges and lawyers
require crazily accurate forensics findings that are all but impossible
for modern day crime labs to produce without bankrupting their
city. And then a clever lawyer is called in to show that that
inescapable evidence isn't all that clear after all.
Most of the mistakes that drive stories are made as a matter of misunderstanding an event.
In
most cases, there is an underestimation of a situation. This is what
happens when you have people that don't believe in the slimy monster
that is killing people around town. Or, more realistically, don't
believe in the existence of the charming young sociopath. In the
detective story, the police are usually suffering from this
mistake. Even in cases were the police are the main characters, they
are underestimating the intelligence or randomness of their enemy.
In
other cases, there is an overestimation of a situation. The most
common situation here is when a group in power mistakenly decides that a
particular individual is a threat to them and must be put down. The
result is usually the creation of the very threat they were trying to
prevent. This is often the situation when the story is one of
oppression or the like.
In other cases, there are situations
when the mistake is one of not thinking about the consequences of an
action. The example earlier of insulting a loved one accidentally, or
else not expecting them to pick up and leave, is one such consequence.
Good situations can be misunderstood as well.
Imagine
a stock broker who spends the first fifteen minutes or so of a movie
pushing a particular stock and how great it is going to be. Then
imagine that the improvement of the stock is far less than what he
claimed it would be. The result is that the investors, the company and
the stock broker are all harmed by the man's mistake.
Now,
imagine someone winning the lottery and casually mentioning it to
someone else and now spending the rest of the story trying to hide and
protect themselves and their ticket from people that want the money that
they managed to win.
It is a difficult task to have mistakes
happen and still portray the person who made the mistakes as
competent. It is easier to make them completely incompetent.
I prefer not to do that.
As
the public, at least the American public, we have a tendency to think
of various authority figures, ranging from parents to the government, as
either malicious or incompetent or both, because that is the way that
they are portrayed in most stories.
One way to try to do it
is to have the character notice and comment on their own mistake and
give them a situation later where the enemy assumes they'll make the
same mistake but don't because they've learned their lesson.
Another way to do it is to never call the reader's attention to the mistake to begin with.
You could also choose to actually have an incompetent individual in control of the situation.
The mistake could be made because of situations about which the characters couldn't possibly expect to be aware of.
There
could be a danger or situation that has changed what is normal for the
character so that what would normally be a perfectly reasonable action
would now be a mistake.
It is a mistake to fall asleep when
your building has a gas leak, but that mistake doesn't indicate
incompetence if you fail to notice the gas leak or else if it starts
after you go to sleep.
Then there are the stories with the supernatural and paranatural events.
We
laugh and sneer at the useless adults in some sci-fi movies when they
fail to believe in the monster killing people, but seriously, if a
teenager came up to you and said "there's a werewolf and we need to get
silver bullets to kill it" would you believe them?
How about "I didn't kill them, I was possessed by an evil spirit."?
I don't think most would believe that either.
The
disbelief of the supernatural or paranatural or extraterrestrials is a
reasonable reaction. However, a lot of movies and scripts feel that
they have to emphasize the mistake and point out that, yes, the cops are
incompetent, by having them act needlessly dismissive or even rude
about the reports.
We look at these clownishly rude people
with our outsider's knowledge that there really is a monster and we then
condemn them as incompetent.
On the other hand, you could have a clearly polite and competent police officer still disbelieve the report.
Of
course, it is easier to make people incompetent to explain the
mistakes, but I still prefer to avoid the tendency to make the fault of
the story belong to someone who clearly should never have had their job
in the first place.
A blog by Luke Garrison Green of Thrythlind Books and Games. Here he discusses writing skills, reviews books, discusses roleplaying games and refers to Divine Blood, Bystander and his other books.
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