This was a rather enjoyable story. The chosen sorts of magic and the
world setting are comfortingly familiar. However, the real star of the
show here is the main character's development.
There are two
indicated forms of magic in the world setting as presented. There is
the magic of the mages and the magic of the witches. Given that the
main character is a witch and everything that we are shown is stuff that
she witnesses, we know the most about the witch's magics. Witches have
a spellbook which is invisible to the eyes of people who aren't
witches. This spellbook fills up with new spells as the witch has need
of them. This is a mechanic rather similar to that used in the Young
Wizards series or in El Goonish Shive. While the spells themselves
appear ready to use, the witch still needs to study them and in many
cases collect the right ingredients to perform them. For the most part,
witchcraft is divided into white and black magic with white magic being
the sort that heals and black magic being the sort that destroys. For
the most part, the magic is of an elemental nature using all five of the
classical elements including the oft-forgotten Spirit that is part of
the Greek elements.
We know next to nothing of how the magic of the mages works however.
The
world setting begins in our own world, but almost immediately moves
toward a pre-Renaissance world similar to ancient Britain. Freemen and
women mark their status by wearing a seax, which is a sort of dagger.
There are slaves, called theow, which seem to be based on the serfs of
the ancient world. An exact equivalent century is hard to place, but it
is probably sometime in the early AD period. We don't have much
information about the political situation since the story focuses so
much on the one isolated village. I am not certain that there are any
extensive nations since banishment seems to remain a punishment of
choice. If there were other villages within easy travel that would be
less likely. Also, visitors from other worlds are not an unknown thing.
The villagers take Briley's appearance with a shrug and are the ones
to explain to her that she was pulled from another world.
Briley
and Smokey got most, if not all, of the character development in the
story. The remaining characters are fairly static in nature. This is
possibly as a result of the focus on Briley's perspective. Briley spends
most of the book in various positions along the spiral of depression.
I know a lot of people who could probably recognize the
self-recrimination and self-shaming that comes with the process. I
recognize a lot of it myself, which allowed me to connect on a personal
level. The problem with this is that this sort of depression is very
much self-focused since the first response most people on the spiral
have is "what is wrong with me" and, as a result, we only have shallow
impressions of the other characters. I hope to see this remedied in the
future installments.
http://www.amazon.com/Spirit-Witch-Briley-Chronicles-ebook/dp/B00CYA1OOK
A blog by Luke Garrison Green of Thrythlind Books and Games. Here he discusses writing skills, reviews books, discusses roleplaying games and refers to Divine Blood, Bystander and his other books.
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